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1 indeterminate form
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2 indeterminate form
Математика: неопределённая форма, неопределённость -
3 indeterminate form
• neodređeni izraz -
4 indeterminate form
wyrażenie nieoznaczoneEnglish-Polish dictionary for engineers > indeterminate form
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5 indeterminate form
мат.• неопределен изразEnglish-Bulgarian polytechnical dictionary > indeterminate form
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6 indeterminate form
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7 indeterminate form
தேரா உருவம், தேரா வடிவம் -
8 evaluate an indeterminate form
Макаров: раскрыть неопределённостьУниверсальный англо-русский словарь > evaluate an indeterminate form
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9 indeterminate
1) неопределенный
2) неименованный
3) неизвестное
4) неизвестный
5) неопределимый
– externally indeterminate
– indeterminate equation
– indeterminate error
– indeterminate form
– indeterminate zone
– statically indeterminate
evaluation of indeterminate form — раскрытие неопределенностей
statically indeterminate beam — статически неопределимая балка
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10 form
1) форма
2) бланк
3) вилка
4) наформовать
5) наформовывать
6) становлять
7) формировать
8) формироваться
9) вид
10) образовывать
11) составлять
12) придавать вид или форму
13) анкета
14) входить в состав
15) гиперповерхность
16) конструировать
17) формат
18) каркас для намотки
19) фасонный
20) образец
21) отформовать
22) разновидность
23) тип
24) модель
25) очертание
26) контур
– abridged form
– adjoint form
– assume the form
– asymptotic form
– Backus-Naur form
– be in form of
– blank form
– block form
– canonical form
– coding form
– coil form
– collapsible form
– conjunctive form
– contracted form
– definite form
– digital form
– disjunctive form
– double form
– elasticity of form
– equation of form
– erect form
– execute form
– expanded form
– exterior form
– final form
– form angle
– form anisotropy
– form bead
– form circle
– form closure
– form drainage
– form factor
– form filling-in
– form gauge
– form line
– form milling
– form mount
– form of constraint
– form point
– form resistance
– form roller
– form sentence
– form solution
– form stability
– form sum of
– form takedown
– form tolerance
– if we form
– in the form of
– in the form of avalanche
– indeterminate form
– irredundant form
– message form
– multilinear form
– normed form
– Pfaffian form
– quadratic form
– remove form
– sesquilinear form
– skeleton form
– type form
be supplied in knock-down form — поставляется в разобранном виде
evaluation of indeterminate form — раскрытие неопределенностей
field form factor — <electr.> коэффициент поля
normal disjunctive form — <math.> форма нормальная дизъюнктивная
primitive quadratic form — чисто коренная квадратическая форма
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11 form
1) анкета; бланк2) вид; форма || придавать вид или форму3) контур; очертание4) конфигурация6) строит. опалубка; элемент опалубки7) скамейка, лавочка8) формуляр9) составлять; образовывать10) формироваться•calculation in a series form — матем. вычисление с помощью ряда
evaluation of indeterminate form — матем. раскрытие неопределённости
fraction in a factored form — матем. дробь в форме разложения на множители
in an expanded form — в виде ряда; в развёрнутом виде
integration in a closed form — матем. интегрирование в конечном виде
of closed form — матем. в конечном виде, с конечным числом членов
preparation of type form — полигр. чернение набора
reduction to a normal form — матем. приведение к нормальной форме
to bring into a canonical form — матем. приводить к канонической форме; приводить к каноническому виду
to form a circle — замыкаться в кольцо; образовывать кольцо
to rearrange in the form — переписывать в виде; преобразовывать к виду ( об уравнениях)
- absolutely convergent form - absolutely extreme form - definite form - elementary form - elimination form of inverse - everywhere regular form - evolutionary operation form - geodesic curvature form - indefinite form - p-adically equivalent form - relatively bounded form - repair request form - third fundamental form - totally definite form - totally discontinuous formto take on a form — принимать форму; принимать вид
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12 indeterminate
adjective1) (not fixed, vague) unbestimmt [Form, Menge]; unklar [Konzept, Bedeutung]2) (left undecided) ergebnislos; offen [Rechtsfrage]* * *in·de·ter·mi·nate[ˌɪndɪˈtɜ:mɪnət, AM -ˈtɜ:r-]1. (uncounted, immeasurable) unbestimmt\indeterminate system COMPUT unbestimmtes System2. (vague) unklar, vageto take an \indeterminate stance keinen klaren Standpunkt beziehen\indeterminate noise undefinierbares Geräusch\indeterminate period of time ungewisse Zeitspanne* * *["IndI'tɜːmInIt]adjamount, length unbestimmt; duration also ungewiss; meaning, concept unklar, vageof indeterminate sex/age — von unbestimmbarem or nicht bestimmbarem Geschlecht/Alter
* * *2. unklar, ungewiss, unsicher3. nicht definiert, nicht genau festgelegt:4. unentschieden, ergebnislos5. dem freien Willen folgend6. BOT unbegrenzt:indeterminate inflorescence unbegrenzter Blütenstand7. LING unbetont und von unbestimmter Lautqualität* * *adjective1) (not fixed, vague) unbestimmt [Form, Menge]; unklar [Konzept, Bedeutung]2) (left undecided) ergebnislos; offen [Rechtsfrage]* * *adj.unbestimmt adj. -
13 неопределенное выражение
Большой англо-русский и русско-английский словарь > неопределенное выражение
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14 evaluate
ɪˈvæljueɪt гл.
1) оценивать;
устанавливать стоимость;
определять количество reckon up
2) оценивать;
давать оценку;
составлять мнение;
определять качество to evaluate data ≈ оценивать данные He was evaluated as unfit for military service. ≈ Его признали негодным для военной службы. Syn: reckon up
3) мат. вычислять;
выражать в числах to evaluate the root ≈ находить корень to evaluate an indeterminate form ≈ раскрыть неопределенность оценивать, устанавливать стоимость определять количество оценивать, давать оценку;
определять качество, важность - to * the full significance оценить все значение - to * a new antibiotic проверить действенность нового антибиотика - to * arguments взвесить аргументы (математика) вычислять;
выражать (численно) - to * the altitude of a star вычислить высоту звезды evaluate аттестовывать ~ мат. выражать в числах ~ давать оценку ~ определять стоимость ~ оценивать;
определять количество ~ оцениватьБольшой англо-русский и русско-английский словарь > evaluate
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15 evaluate
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16 evaluation
1) таксация
2) эвальвация
3) вычисление
4) оценка
5) расшифровка
6) обработка
– deposit evaluation
– ore evaluation
– seedling evaluation
– visual evaluation
evaluation of an algebraic expression — вычисление значения алгебраического выражения
evaluation of indeterminate form — раскрытие неопределенностей
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17 evaluate
[ɪ'væljueɪt]гл.1) оценивать; устанавливать стоимость; определять количествоSyn:2) оценивать, давать оценку; составлять мнениеHe was evaluated as unfit for military service. — Его признали негодным для военной службы.
Syn:3) мат. вычислять; выражать в числах -
18 evaluate
1) вычислять2) оценивать, определять•to evaluate an indeterminate form — матем. раскрывать неопределённость
to evaluate the root — матем. находить корень
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19 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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20 sentence
ˈsentəns
1. сущ.
1) а) приговор, осуждение, обвинительное заключение to commute, reduce a sentence ≈ смягчать приговор, сократить срок наказания to get off with a light sentence ≈ отделаться мягким приговором to pass a sentence upon smb. ≈ выносить приговор кому-л. to serve one's sentence ≈ отбывать срок наказания to suspend a sentence ≈ временно откладывать исполнение приговора under sentence ≈ осужденный, приговоренный to carry out a sentence ≈ исполнять приговор to execute a sentence ≈ исполнять приговор to impose a sentence ≈ выносить приговор to pronounce a sentence ≈ выносить приговор to vacate a sentence ≈ отменять приговор, наказание death sentence ≈ смертный приговор flat-time sentence ≈ фиксированный срок тюремного заключения (не может быть сокращен судом ни при каких обстоятельствах) life sentence ≈ пожизненное заключение prison sentence ≈ тюремное заключение, тюремный срок suspended sentence ≈ условное осуждение, условное наказание Syn: verdict, conviction б) наказание, мера наказания severe sentence ≈ строгое наказание heavy sentence ≈ суровое наказание
2) а) грам. предложение, фраза;
высказывание to form, formulate, make up a sentence ≈ составлять предложение to generate a sentence ≈ порождать предложение affirmative sentence ≈ утвердительное предложение complex sentence ≈ сложноподчиненное предложение compound sentence ≈ сложносочиненное предложение declarative sentence ≈ повествовательное предложение elliptical sentence ≈ эллиптическое предложение embedded sentence ≈ вложенное предложение exclamatory sentence ≈ восклицательное предложение impersonal sentence ≈ безличное предложение interrogative sentence ≈ вопросительное предложение negative sentence ≈ отрицательное предложение simple sentence ≈ простое предложение б) суждение;
изречение, сентенция
2. гл.
1) выносить приговор;
приговаривать Murderers are still sentenced to death in some parts of the world. ≈ В некоторых странах убийц до сих пор приговаривают к смерти. Syn: condemn, convict, doom Ant: acquit, discharge
2) строить предложение, составлять предложение (юридическое) приговор суда, определяющий меру наказания;
осуждение - suspended * условное осуждение - concurrent *s совпадающие /действующие совместно/ приговоры - to pass /to pronounce/ a * вынести решение о мере наказания, объявить приговор - to reverse a * отменить приговор( юридическое) наказание, мера наказания - severe * строгое наказание - capital /death/ *, * of death смертный приговор - indeterminate * осуждение на неопределенный срок - to get a life * быть приговоренным к пожизненному заключению - to receive a six months' * быть приговоренным к шести месяцам заключения - a convict under a * of death for murder преступник, осужденный на смерть за убийство (грамматика) предложение - complex * сложноподчиненное предложение сентенция, изречение - a S. of Scripture изречение из священного писания (музыкальное) предложение (биология) осмысленная последовательность кодонов (в генетическом коде) приговаривать, осуждать - to * smb. to death приговаривать кого-л. к смерти;
осудить кого-л. на смерть - he was *d to a fine ему присудили штраф обречь - to * a species to extinction обречь вид на вымирание accept a ~ закон. наказ. получать приговор alternative ~ альтернативное наказание appeal against ~ обжаловать обвинительный приговор award ~ выносить приговор commute ~ смягчать наказание confirm a ~ утверждать приговор custodial ~ приговор о содержании под стражей death ~ смертный приговор deliver a ~ выносить приговор deterrent ~ суровый приговор extended ~ более строгое наказание increase a ~ усиливать приговор increased ~ увеличенный срок наказания indeterminate ~ неопределенный приговор indeterminate ~ приговор к лишению свободы на срок, зависящий от поведения заключенного light ~ мягкий приговор other noncustodial ~ другой приговор, не предусматривающий тюремное заключение other noncustodial ~ другой приговор, не предусматривающий содержание под стражей partly suspended ~ частично приостановленный приговор ~ приговор;
to pass a sentence (upon smb.) выносить приговор (кому-л.) ;
to serve one's sentence отбывать срок наказания pass ~ выносить приговор pass ~ приговаривать prison ~ приговор к тюремному заключению reduce a ~ смягчать судебный приговор sentence выносить приговор ~ выносить судебное решение ~ наказание ~ осуждать, приговаривать ~ осуждать ~ грам. предложение ~ приговаривать ~ приговор;
to pass a sentence (upon smb.) выносить приговор (кому-л.) ;
to serve one's sentence отбывать срок наказания ~ приговор ~ решение( церковного суда) ~ уст. сентенция, изречение ~ судебное решение ~ судебный приговор ~ by default судебное решение в отсутствие ответчика ~ in one's absence судебное решение в отсутствие ответчика serve a ~ вручать приговор ~ приговор;
to pass a sentence (upon smb.) выносить приговор (кому-л.) ;
to serve one's sentence отбывать срок наказания severe ~ суровый приговор suspended ~ условное наказание suspended: ~ приостановленный;
suspended sentence юр. условный приговор unconditional ~ окончательный приговорБольшой англо-русский и русско-английский словарь > sentence
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См. также в других словарях:
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